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IND vs AUS: Marnus Labuschangne Treats David Warner to 'Special' Coffee Ahead of 2nd Test
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'We've a Good Shot at the Cup': Mithali Raj's Inspirational Message for Harmanpreet & Co Ahead of PAK Face-off
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Netflix’s newest A-list waste of space weaponizes star power to reach #1 in 65 nations

It’s more than a touch ironic and definitely worth mentioning that the majority of Netflix’s best and most popular original movies to have released so far this year haven’t been glossy Hollywood efforts packing a sizeable roster of recognizable stars, but Your Place or Mine has bucked the trend to deliver the streaming service’s latest slab of instantaneously successful mediocrity.
The rom-com was already placed under the microscope when stars Ashton Kutcher and Reese Witherspoon were mercilessly trolled for their incredibly awkward photos together on the red carpet, but it does have to be said that they generate a lot more chemistry onscreen than they do in person.
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Ricky Ponting Had Predicted Australia's 'Nightmare' After Watching Ravindra Jadeja's Return
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A spine-chilling horror soaked in generational satanic panic searches for answers on streaming

There aren’t many things atmospheric supernatural chillers love more than a mysterious and dark backstory that demands to be uncovered, and last year’s under-the-radar nightmare Leave has a doozy of a central concept.
Alicia von Rittberg heads up the ensemble as Hunter White, who wants nothing more than to discover who she really is and where she came from. The only problem, which is admittedly quite a major one, is that she was left abandoned in a cemetery in the United States 20 years previously, wrapped in a blanket covered in satanic symbols.
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Australia Trampled by Not the Demons in the Pitch, But by the Beasts Who Played on it – India
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Watch: Jemimah Rodrigues Records Her First Song With Actor Aparshakti Khurana
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'Didn't Expect Australia to be Bowled Out in One Session': Rohit Sharma Says India Were Prepared For Hard Day of Toil
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IND vs AUS: Aussie Horror Show In Front of Full House, Venue: VCA, Duration: Little More Than Two Hours
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The best thing by far about ‘Fast & Furious’ is the franchise’s unhinged Japanese titles

Besides the insanely extravagant action sequences and an increasingly loose grip on reality that’s brought it perilously close to outright superhero territory, one of the things fans love the most about the Fast & Furious franchise is the haphazard way each installment has been named.
The Fast and the Furious is fine, but 2 Fast 2 Furious was roundly mocked at the time for being one of the most cringeworthy monikers of all-time. Tokyo Drift added a suffix for the first and only time outside of Fast & Furious Presents: Hobbs & Shaw, before Fast Five segued into what was supposed to be Fast 6 and Furious 7, although that entirely depends on what country you saw each movie.
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Capri Global Name WPL Franchise UP Warriorz; Lisa Sthalekar Announced as Mentor
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Domestic Players Are Looking Forward to Share Dressing Room With Overseas Stars in WPL: Harmanpreet Kaur
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Denial and fury reign supreme after James Gunn reiterates that the SnyderVerse is dead

From the very beginning, the campaign to force Warner Bros. into selling the rights to the SnyderVerse to Netflix was borderline delusional, showcasing a stark failure to understand how business works.
Mobilizing the troops to launch a coordinated Twitter offensive on Valentine’s Day only served to open the most dedicated supporters up to even further scrutiny, and we’d be remiss not to mention the fact Zack Snyder has plenty on his plate at the streaming service creating and directing original blockbusters he can build from the ground up.
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IND vs AUS 1st Test Day 2: Matthew Renshaw Returns to Field After Passing Fitness Test
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The shared superhero universe everyone completely forgot about is remarkably still alive

Ever since Kevin Feige changed the face of cinema forever, history has become littered with failed attempts at building shared universes to rival the all-conquering franchise created by Marvel Studios, and it looked as though Valiant‘s attempts to get in on the act were doomed to fail at the first hurdle.
Vin Diesel’s Bloodshot had the misfortune of being scheduled for a theatrical release in March of 2020, but when the pandemic ground the world to a halt, it was instead shuffled onto VOD almost immediately. While it drew in decent numbers on-demand, and the leading man teased a sequel, the trail has been cold for going on three years.
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'Mark my Words Mark': Karthik And Waugh Engage in War in Words on Air After Indian Glovesman's Bold Prediction
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Following the Pamela Anderson controversy, fans wonder if ‘Toy Story 5’ will land before Tim Allen gets canceled

When Disney announced its plans to make Toy Story 5, fans wondered if it might replace Tim Allen as the voice of Buzz Lightyear in the aftermath of Pamela Anderson‘s claim that the Home Improvement actor once exposed himself to her.
The former Baywatch star says the incident happened when she was a 23-year-old newcomer on Home Improvement in her no holds barred memoir Love, Pamela:
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IND vs AUS: Rohit Sharma Puts India in Driver's Seat at Stumps After Ravindra Jadeja Spins His Magic
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Disney’s animated sequel announcements was missing the one people actually want to see

During Disney‘s Q1 earnings call yesterday, CEO Bob Iger revealed that three sequels to some of the brand’s most lucrative properties were in the works, namely Frozen 3, Zootopia 2, and Toy Story 5.
Though these franchises automatically play it safe at the box office on reputation alone, and they’re all sure to draw palpable levels of excitement from their audiences, one has to wonder not only how much fuel some of these IPs have left in the tank, but whether this is the right way to use that fuel in the first place. Frozen and Zootopia will no doubt continue to be immortalized on the internet, and there’s no telling how a fifth Toy Story movie could conceivably slot in with that tearjerker of an ending we got in Toy Story 4.
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IND vs AUS | A Country Where Test Match Finishes in 2 Days Has No Right to Moan About Indian Pitches: Sunil Gavaskar
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New ‘Red One’ image finds Dwayne Johnson face-to-face with a monster that makes him look regular-sized

Having encountered what might be the most high-profile and embarrassing setback of his professional career via the whole Black Adam fiasco, Dwayne Johnson will be looking to bounce back in a major way when Red One premieres towards the end of the year.
As a Prime Video exclusive, it won’t give us any indication as to whether or not his box office drawing power truly is on the wane, but we’re curious to see how it turns out regardless. To put it bluntly, the festive action blockbuster sounds like it could either be a uniquely refreshing spin on a well-worn formula, or an overstuffed disaster.
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Exclusive interview: Director Xavier Manrique talks ‘Who Invited Charlie?’

Everyone has that one friend that they’ve known forever but don’t see very often, and while the bond remains, there’s absolutely no way under any circumstances they’d ever consider letting them live under the same roof. That’s the basic premise of director Xavier Manrique’s Who Invited Charlie? in a nutshell, albeit with a COVID-tinged twist.
Adam Pally stars as the title character, who after a serendipitous run-in with Reid Scott’s self-centered hedge fund manager Phil, ends up showing up announced at his family home in the Hamptons, where Phil has fled from the city with his wife Rosie (Jordana Brewster) and son Max (Peter Dager) to escape the onset of the pandemic during the height of the first wave in March 2020.
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IND vs AUS, 1st Test: India Probable Playing 11 Against Australia for Nagpur Test
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Longtime MCU producer confirms the franchise is far from done with horror

The Marvel Cinematic Universe is looking a little more fearless with every passing day; though it may never take the creative risks that so often pay off for a studio like A24, the emergence of Disney Plus especially has allowed Marvel Studios to branch off into new ideas and genres that it hadn’t previously explored before, such as the astoundingly refreshing WandaVision, which just so happened to kick off the whole of Phase Four.
Last year in particular saw the MCU get even wilder; thanks to director Sam Raimi’s signature touch, Doctor Strange in the Multiverse of Madness saw the franchise dip its toes into the horror genre, only to go waist-deep several months later with the release of the Werewolf by Night television special, which introduced the eponymous monster, Elsa Bloodstone, and Man-Thing to the MCU in a wickedly creative, gore-happy outing that may have never found its way to the big screen otherwise.
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Kapil Dev On Rishabh Pant: 'I Want Him to Recover So That I Can Go And Slap Him'
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An expert lip reader is drafted in to solve the mystery of Ben Affleck’s miserable Grammys experience

Apparently, all it takes is one miserable face to spawn a thousand memes and a myriad of conspiracy theories, although the fact Ben Affleck and Jennifer Lopez are prime tabloid fodder makes it even easier for fans to speculate about the reasoning behind the actor’s thoroughly unimpressed visage for the entirety of the Grammy Awards.
Some found a silver lining by praising the two-time Academy Award winner for going full method as Bruce Wayne ahead of his presumed DC swansong in The Flash, while the excuse trotted out claimed that he was tired, which is about as uninspiring and eye-rolling as Affleck’s expression.
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IND vs AUS | 'Don't Think He's Even Faced Fast-bowling Yet': Steve Smith on Cameron Green Availability For Nagpur Test
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India vs Australia 2023: How Border-Gavaskar Trophy Results Can Shape Final of World Test Championship
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Michael Douglas opens up on his return to the MCU in ‘Ant-Man and the Wasp: Quantumania’

The wait between Marvel movies is a supremely interesting period; the anticipation of seeing the next step in the storyline can make just three months seem like a small eternity, and before you know it, you’re a week and a half away from one of the most pivotal films in the current arc, as is currently the case with Ant-Man and the Wasp: Quantumania.
With Quantumania comes the entire Ant-Man family, including Scott Lang, Hope van Dyne, a now-grown Cassie Lang, and resident superhero grandparents Hank Pym and Janet van Dyne, who will be making their first marked return to the franchise since 2018’s Ant-Man and the Wasp, barring the small cameos the pair had in Avengers: Endgame.
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'Has Anyone Seen it?': Virat Kohli Loses His Unboxed Phone, Asks Fans on Twitter to Help Him Find it
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Calling a 1990s action favorite better than its all-time classic successor threatens to start a riot

John Woo was already one of the greatest action directors in the business before he’d even set foot in Hollywood thanks to a slew of all-time greats including A Better Tomorrow, The Killer, and Hard Boiled, but he arguably didn’t find his footing in Stateside cinema until he tackled Broken Arrow.
Don’t get us wrong, Jean-Claude Van Damme vehicle Hard Target endures as an undisputed cult favorite for a reason, but it wasn’t until his second overseas feature that the filmmaker was given a budget fitting of his reputation to play with. The $50 million blockbuster painted Woo’s signature style on a bigger canvas than ever before, but it was successor Face/Off that took things to a whole different level.
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'Aapka Saaya Hamesha Mere Saath Hoga': Sachin Tendulkar’s Heartfelt Post on Lata Mangeshkar’s Death Anniversary
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'I was Rattled, Didn't Sleep Very Well That Night': How Ravi Shastri's Wrath Left Ex-fielding Coach 'Rattled'
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‘Black Panther: Wakanda Forever’ has its plot mercilessly picked apart as the tides continue to turn

Thanks to their status as part of the fantasy genre by extension, superhero movies are under no obligation to be tightly-plotted and impenetrably-structured masterclasses in narrative storytelling. Fans are more than happy to point out any storytelling deficiencies they see, though, with Black Panther: Wakanda Forever having been shined under the spotlight since coming to Disney Plus.
For unknown but entirely expected reasons, hating on the Marvel Cinematic Universe’s latest project has become par for the course, so nobody should have been particularly taken aback when Ryan Coogler’s blockbuster sequel was given a less than glowing reappraisal after being made available on streaming.
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'Weatherman DK Is Back:' Dinesh Karthik Brings Back His Popular Avatar Ahead of Border-Gavaksar Trophy
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One of the most controversial classics there’s ever been is bludgeoned into submission on streaming

A no-frills filmmaker adapting a controversial book without lessening the impact of the source material was always going to be a lightning rod for controversy, and Stanley Kubrick’s A Clockwork Orange more than lived up to its billing as an incendiary classic in the making.
The dystopian nightmare proved to be a sizeable success after landing five Academy Award nominations including Best Picture and Best Director, while a box office haul of almost $115 million on a shoestring budget of just $1.3 million ensured that the profit margins were through the roof, which made the widespread backlash a moot point in hindsight.
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Ben Affleck’s miserable time at the Grammys wins him praise for going full method as Bruce Wayne

If you thought that Ben Affleck winding down his tenure as the DCU’s canonical Batman was going to lead to a reduction in memes, then you are severely mistaken.
Thanks to James Gunn and Peter Safran unveiling the slate for the franchise’s Chapter 1 – Gods & Monsters last week, we can infer with the utmost certainty that The Flash is going to mark the end of the road for Batfleck. It’s a shame that we won’t see him headline a solo blockbuster, but he may well end up going down in the history books as the most underutilized Dark Knight there’s ever been,
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Exclusive interview: Lex Scott Davis and Shamier Anderson talk ‘A Lot of Nothing’

Co-writer and director Mo McRae’s feature-length debut A Lot of Nothing aims to spin a lot of plates, and it manages to do so in a style that finds the actor and filmmaker establishing himself as a talent well worth keeping an eye on.
The story finds Y’lan Noel and Cleopatra Coleman starring as James and Vanessa, a seemingly perfect couple who end up caught in a night they’ll never forget. After watching a news report on a police shooting, the pair discover that their neighbor (as played by Justin Hartley) was involved, and they try to figure out what to do about it.
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Border Gavaskar Trophy 2023: Ahead of Series Opener, Head Coach Rahul Dravid Says 'Emphasis On Slip Fielding'
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Like clockwork, ‘Black Panther: Wakanda Forever’ gets admitted to the ‘Thor: Love and Thunder’ school of criticism

One of the most predictable developments that comes attached to any popular movie is that in the aftermath of its theatrical release, the tide will begin to turn. Just like clockwork, Black Panther: Wakanda Forever has been getting reappraised as one of the Marvel Cinematic Universe’s biggest disappointments ever since it came to Disney Plus.
While there’s no harm in not enjoying every single feature or streaming series the franchise puts out there, it’s nonetheless interesting to see how perception can shift on a dime. Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder almost instantly saw their reputations take a battering once the dust had settled on their big screen runs, whereas Eternals only continues to grow in popularity.
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'So Much Insecurity': Harbhajan Singh Gets Slammed By Cricket Fans For Possible Cheeky Dig At Ravi Ashwin
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An Oscar-winning dark fantasy that got a reboot instead of a sequel inherits a fresh wave of admiration

The first two decades of the 21st Century were defined by the colossal number of YA literary adaptations being thrown into multiplexes with reckless abandon, with the misses dramatically outnumbering the hits. Lemony Snicket’s A Series of Unfortunate Events was one of the small exceptions to the rule, though, but still didn’t get a money-spinning franchise to call its own.
On paper, there weren’t many reasons not to carry on telling the story on the big screen, and with 13 source novels to choose from, there was hardly a shortage of content, either. And yet, despite earning $211 million at the box office, landing strong reviews from critics and an enthusiastic reception from audiences, as well as winning an Academy Award for Best Makeup from four nominations in total, it simply wasn’t to be.
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ILT20: Naman Ojha to Replace Dinesh Chandimal in Desert Vipers Squad
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'Virat Kohli Will Have to Move a Little Towards an Off-stump Guard': Sanjay Bangar Shares Plan to Tackle Nathan Lyon
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The worst-reviewed superhero movie in the history of cinema heads once more into the breach on Netflix

Taste and personal preference is entirely subjective, but it’s hard to argue with facts. As the most popular genre in cinema, superhero stories continue to divide opinion and ignite discussion, but not a single one of them has fared worse in terms of reviews than 2006’s Zoom.
A Rotten Tomatoes score of only four percent gives it the unwanted distinction of being the lowest-rated comic book adaptation of all-time on the aggregation site. That means Tim Allen’s dismal return to action as the title hero is held in lower esteem than Morbius, Josh Trank’s Fantastic Four, Jonah Hex, Halle Berry’s Catwoman, and even Son of the Mask, which is probably the most galling of all.
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IND vs AUS 2023: Axar Patel Can Bring the LBW or Bowled Into Play Against Steve Smith, Predicts Irfan Pathan
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A deranged R-rated martial arts fantasy epic survives a deadly betrayal on Disney Plus

Thanks to Disney’s increased stake in Hulu and acquisition of 20th Century Fox, the Mouse House’s streaming service is becoming a hotbed of R-rated content from Hollywood’s past and present, but it’s Chinese fantasy epic True Legend that’s become the latest unexpected breakout success on the most family-friendly platform of them all.
As per FlixPatrol, legendary stunt coordinator and filmmaker Yuen Woo-ping’s extravagant martial arts fantasy has been going down a storm with subscribers, having ascended onto the Disney Plus global most-watched list. A reasonably-sized success at the time of its initial release in 2010, the hand-to-hand combat is everything you’d expect from the unsung mastermind responsible for choreographing The Matrix, Crouching Tiger, Hidden Dragon, and Quentin Tarantino’s Kill Bill.
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Review: ‘The Outwaters’ leads us into the dark and never looks back

In the vast darkness of the Mojave desert, four friends are camped out, preparing to make a music video together. As they sit in their tents and try to get rest, thunderous booms and mysterious ripples of light in the sky disrupt them. Soon enough, they will be gone, consumed by something unknowable and awful in the dark, and their footage will be all that’s left of them.
Such is the premise for Robbie Banfitch’s The Outwaters, a wild descent into hell (or another dimension, perhaps?) that promises to disorient and disquiet the viewer. The film isn’t afraid to march forward hand-in-hand with us into the darkness, no matter how much blood, tears, and screeching there is along the way.
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Live Cricket News, February 3: India Test Cricketers Begin Preparation For Australia Series
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Karnataka register innings win over Uttarakhand to enter Ranji Trophy semifinals
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James Gunn teases a DCU series so insanely bizarre it needs to happen as soon as possible

You don’t have to play Six Degrees of Separation – or Six Degrees of Kevin Bacon, for that matter – to figure out an easy way for James Gunn to bring one of his most frequent and trusted collaborators into the DCU.
The filmmaker came right ahead and admitted he’s planning to find room for all of his Marvel Cinematic Universe cohorts once Chapter 1 – Gods & Monsters begins to take shape, and it just so happens that one of the sole survivors to emerge from the smoldering rubble of The Suicide Squad alive was Weasel.
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An underrated sequel that aged even better after 3 disastrous failed reboots nukes the Netflix charts

Despite very recent history pointing out no less than three times that it isn’t something general audiences are interested in seeing again, there’s an air of inevitability to yet another Terminator reboot. There’s one small positive, though, and that it’s each failed reinvention of the franchise paints Jonathan Mostow’s underrated Rise of the Machines in a better light.
There was a hefty amount of pressure on the filmmaker heading into the project, which was of course completely understandable when he was tasked with not only following up James Cameron’s back-to-back classics, but doing so after a decade-long absence with the single most expensive production in the history of cinema at the time.
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Shubman Gill Took His Time Because of The Way Rahul Tripathi Was Striking Ball: Aakash Chopra
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IND vs AUS: 'Virat Kohli Can Try And be a Little More Aggressive Versus Spinners' - Irfan Pathan
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Daisy Ridley refuses to rule out an eventual return to ‘Star Wars’

We’re entirely convinced at this point that George Lucas is a member of X-Men, and his mutant power involves making everything that comes out of his brain into some of the most timeless material in the history of pop culture. Indiana Jones, despite a relative hiccup with Kingdom of the Crystal Skull, remains a beloved franchise that will soon meet its swansong later this year with Dial of Destiny, and even Willow, Lucas’ charming-if-mediocre foray into high fantasy, found new life as a Disney Plus series late last year.
We all know that Star Wars dwarfs most pop culture properties in the realm of cultural impact and longevity, and the franchise’s journey has been truly unthinkable; who would have known that a sci-fi epic celebrating heroism and camaraderie would lead to the likes of Andor, The Mandalorian, and Visions?
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