The 66-year-old has served for Sky Sports for over 20 years as a commentator broadcaster.
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New Theory Claims The Original Matrix Could Be A 90s Movie In The Matrix Resurrections
A fascinating new theory is flipping the premise of the original Matrix trilogy completely.
Shared by Screen Rant, the theory posits that, in the official canon of The Matrix Resurrections, the first film was just another 90s action flick. Rather than stick to the timeline established by the first three movies, this theory presents the mind-bending possibility that Neo is not the one, but rather an actor who found success following his starring roles in the Matrix movies back in the late 90s and early 2000s.
It’s difficult to wrap your brain around, but in the expectation-shattering world created by the Wachowskis, anything is possible.
A recently released trailer for The Matrix Resurrections inspired far more questions than it answered, sparking numerous fan theories and predictions for the future of the franchise. Questions about the return of Carrie-Anne Moss, who played Trinity, were at the forefront of many people’s minds, as was the lack of Laurence Fishburne’s Morpheus. Trinity’s unexpected death in Revolutions was a blow to many fans, so her teased return in the upcoming film has people scratching their heads.
These details have sparked theories like the one from Screen Rant. Posed by reporter Craig Elvy, the theory digs into hints scattered throughout the just-under 3-minute trailer for Resurrections. Noting things like Neo’s “swanky, modern apartment” being a far cry from the tiny, dreary rental he inhabited in the first film, along with the film synopsis—which notes that Resurrections is a “continuation of the story established in the first Matrix film,”—Elvy dives into a surprisingly robust theory about the franchise’s fourth installment.
The fact that Resurrections seemingly ignores two-thirds of the original trilogy certainly invites questions. The second and third films dug far deeper into the conflict between humans and machines, ultimately ending with several chaotic fights that killed off or maimed numerous favorites.
Without the need to lean on any of the canon established in these films, however, Lana Wachowski has the option to completely subvert our expectations. Thus Elvy’s theory, which presents Reeves—who is briefly referred to as his alter-ego Thomas—as a successful actor. Moss, who shares a brief on-screen moment with Reeves, would be returning as a less successful actor, as would all the other characters we grew to love through the first three movies.
The titular computer program does exist in Elvy’s theory, but Reeves’ Thomas is unaware of it. Until his eyes are opened by the real Morpheus, that is. He also places Jessica Henwick, the blue-haired mystery woman who appears to be guiding Reeves toward the Matrix, in the role of the real Trinity. The theory would entirely retcon the original trilogy, which would surely leave some fans with a sour taste in their mouths, but Elvy is correct in his assumption that this kind of reality-bending story would be right up the Wachowskis’ alley.
The Matrix Resurrections lands in theaters on December 22nd.
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Exclusive Interview: Gerard Butler And Alexis Louder Talk Copshop
For fans of the mid-budget action thriller, the prospect of seeing Gerard Butler and Frank Grillo sharing the screen is about as exciting as it gets. Throw in Grillo’s regular creative collaborator and Smokin’ Aces, The Grey, The A-Team and Boss Level director Joe Carnahan, and the end result is wildly entertaining shoot em’ up Copshop.
Grillo stars as professional con artist Teddy Murretto, who intentionally gets himself arrested to try and escape the criminals hot on his tail. Unfortunately, Butler’s deadly hitman Bob Viddick has exactly the same idea, and fakes a drunk and disorderly to become incarcerated so he can get close to Teddy.
Throw in Alexis Louder’s rookie police officer Valerie Young, Tobey Huss’ eccentric rival assassin Anthony Lamb and a hail of blood, bullets, shootouts, outlandish humor, fistfights, double-crosses and two of the industry’s premier grizzled badasses facing off, and you’ve got the recipe for an instant cult favorite.
We Got This Covered had the chance to chat to Butler and Louder about Copshop, and you can check out what the stars had to say below.
Not to try and butter anybody up in particular, but I’m coming to you live from Glasgow, where I can see Celtic Park [the home stadium of Butler’s favorite soccer team] from my window.
Gerard Butler: Awesome! That’s awesome.
So Alexis, how does it feel to be part of a movie with action stars Frank Grillo and Gerard Butler, but walk out of it as the biggest badass of them all?
Alexis Louder: It feels amazing, especially when you point it out! I really enjoyed working with Gerard and Frank. Like, they know what they’re doing, and they brought me in as a peer. They didn’t treat me as an ingenue or anything like that. And it’s amazing for two giants in this industry, and in this genre, to basically lift me up to this height, and I’m like, ‘This is dope!’.
I honestly cannot believe the opportunity that I’ve been afforded, because these three together; Gerard, Frank and Joe Carnahan, we’ve never seen that before. And we need more of it. And it’s awesome that I was able to be a part of their first time teaming up. Because a lot of people don’t know; they’ve been friends, it’s just their first time working together.
Did you struggle not to break character during Toby Huss’ scenes, because he seems like he’s walked in from a completely different movie to everyone else?
Alexis Louder: It wasn’t a struggle, because I didn’t try to hold it in. I was like, ‘You’re just gonna have to focus, Toby, and do your job. If I’m laughing, I’m laughing’. He made it almost near impossible, and there’s just so much that’s probably in the movie, not in the movie, that you’ll never know. Just really great moments that he had, that he made his own.
Gerard, this is a different character and performance than we’re used to seeing from you in a genre you’re very familiar with, was it always the plan to upend the expectations that came with your involvement?
Gerard Butler: It’s funny, when I made Law Abiding Citizen I was always playing the Jamie Foxx role, and we offered him the role I ended up playing. And he said he didn’t want it, but he’d play the lead basically. And I said, ‘Oh, okay, I’ll play the other guy’. So with Copshop, I’ve had this script for many years and there was a complete misunderstanding! I always thought they wanted me to play Teddy Murretto and then they said, ‘No, we always wanted you to play Viddick’. And I was like, ‘Oh, okay, I hadn’t thought of that. But okay, I’ll play Viddick’.
And then when Joe Carnahan came along he was like, ‘Why don’t we all jump in this; Frank, you can play Teddy, you can play Viddick, and I’ll direct it’. And I went, ‘That’s cool’. Because for me, it was the chance to play something different and get my teeth into a bad guy, and have a lot of fun with that, because it’s pretty irreverent.
That concludes our interview with Gerard Butler and Alexis Louder. Copshop is coming to theaters this Friday, September 17th.
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Copshop Review
Frank Grillo and Gerard Butler are two actors cut very much from the same cloth, to the extent that they may as well have been brothers from other mothers, albeit if one of them hailed from the Bronx and the other from Glasgow. They’re both chiseled dudes in their 50s that built their names and reputations in the action genre, and have taken to producing their own output in order to seize opportunities that may otherwise have passed them by.
Grillo partnered up with filmmaker Joe Carnahan to found the WarParty production company, which has so far delivered a string of familiar-sounding titles with uniquely different spins. Netflix’s Wheelman was set entirely in and around a car, Point Blank was a grimy buddy movie with Anthony Mackie along for the ride, while Boss Level deliriously re-imagined Groundhog Day as a balls-to-the-wall actioner. WarParty’s latest is Copshop, with Carnahan co-writing and directing. Grillo and Butler play the two lead roles and share producing credits, but the only real d*ck measuring happens onscreen. In a figurative sense, of course.
The notion of the hugely popular grizzled badasses finally teaming up for a gritty R-rated actioner is something fans have been wanting to see happen for a while, but Copshop isn’t quite the movie you think it is. In fact, it might not even be what you want it to be. It’s a much different beast than the trailers suggest, which is very much intended as a compliment. The promos have painted it as a standard two-hander packed with blood and barbs, and it definitely delivers on that front, but there’s a lot more going on under the hood.
Grillo plays conman Teddy Murretto, who punches a female police officer full force in the face to get himself arrested, where he’s locked up in the aptly named Gun Creek. It turns out that Teddy’s on the run and the best way to protect himself is to be surrounded by the law. However, Butler’s hitman Bob Viddick schemes his own way into the building, biding his time waiting for the opportunity to take out his target for good. Naturally, an escalating set of circumstances get in the way, and things descend into all-out anarchy when crooked cops, double-crosses and another rival assassin all begin to make their presence felt.
In terms of both style and sensibility, Carnahan is a filmmaker right out of the 1970s. His track record is admittedly patchy, but his best efforts are always stripped-down affairs that rely on character and performance above pyrotechnics, with Copshop attempting to find the middle ground between Quentin Tarantino and Walter Hill. For the most part, it works; the plot moves at a brisk enough speed, while the broad archetypes and standard tropes peppered throughout the narrative mean that nothing ever gets taken too seriously, even if the pace stalls every now and again before we reach the obligatory third act showdown.
The two stars have very similar onscreen personas, but they play their parts in Copshop entirely differently from what we’re used to seeing, which was the smartest way to go. Teddy is a lot more nervous, twitchy, weaselly and ill-equipped than we’ve come to expect from lifelong martial arts practitioner Grillo, while Butler has a blast chewing on the scenery as Viddick. They’re both equally broad turns in opposite ways, but you can almost see the sparks fly when the two titans of mid-budget action start spouting off at each other.
However, Louder is the revelation here. Her rookie cop Valerie Young anchors the entire movie, and she gets more screen time than either of her veteran scene partners, which she knocks clear out of the park. Equal parts strong-willed, determined, afraid and unstoppable badass, it’s a breakout role for the actress that bears every indication she’s got the credentials to become an action hero in her own right. In fact, the urgency and excitement noticeably sags when she’s sidelined, such is her importance to Copshop as a whole.
Toby Huss appears to have walked in from a completely different movie to everyone else, but his bizarre Anthony Lamb is a delight that makes sense within the heightened context. He dials his performance way past eleven, offering another dynamic to the already-strange situation unfolding throughout Copshop, and his verbal sparring with Butler, Grillo and even Louder results in some zippy exchanges and fantastic one-liners.
Carnahan keeps things contained, with almost the entirety of Copshop set inside a single location bar the occasional flashback or interlude, and that sense of intimate intensity is what carries the film through to a grandstanding finale that occasionally veers into formulaic, but is never anything less than giddily excessive when the bullets really start to fly.
The first half serves to establish the characters, give the performers time to breathe and invest audiences in the setup, all while imbuing the proceedings with a defiantly old-school vibe. There’s no action for the sake of action, at least until the last 30 minutes, but Louder’s performance and Carnahan’s handling of the slow-burning preamble will have you urging Valerie on at every turn. You’ll want the straight-laced cop to save the day even though she’s up against Frank Grillo and Gerard Butler in an action movie, which is a testament to how Copshop upends whatever expectations you’ve got going in.
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