Followers
'Women Misuse the Law' - Mohammed Shami's Ex-wife Hasin Jahan Continues to be Targetted on Social Media
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Sundance Review: ‘Fair Play’ proves to be a cutthroat rom-com with the gloves off
From writer and director Claire Domont, Fair Play is a hedge fund rom-com, which takes elements of J C Chandor’s Margin Call and pits Emily (Phoebe Dynevor) against boyfriend Luke (Alden Ehrenreich) on the trading floor of One Crest Capital.
Living together against company policy, analysts Emily and Luke are blissfully happy crunching numbers and planning their wedding. Enjoying the heady atmosphere of a wedding reception when this film opens, the happy couple are hardworking, career- driven, and affluent. On bended knee in the bathroom Adam proposes, which concludes with them both sneaking out of a side window and off into the night.
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Sundance Review: ‘Eileen’ brings out a side of Anne Hathaway to get people talking
Based on the debut novel from PEN award winner Ottessa Moshfegh, Eileen is directed by William Oldroyd (Lady Macbeth) and stars Anne Hathaway (Armageddon Time) alongside Thomasin McKenzie (Last Night in Soho).
A period piece set in 1950s Boston, it charts the daily grind of Eileen Dunlop (McKenzie), who lives with her alcoholic father (Shea Wigham), works in a local prison, and breaks the monotony by disappearing into carnal daydreams. Trapped by circumstance and lack of ambition, Eileen gets a jump start when the prison brings in Hathaway’s female psychiatrist Rebecca St. John.
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Shubman Gill Breaks Into Top-10, Becomes Top-ranked India Batter in ODIs Ahead of Virat Kohli
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A record-breaking blockbuster that laughed in the face of bad reviews uncovers hidden treasure on Netflix
Everyone knows at this stage that universal acclaim isn’t an indicator of any movie’s chances of box office success, but there is a hint of irony to 2017’s blockbuster action comedy Kung Fu Yoga setting a smattering of records when it’s a distinctly mid-tier globetrotting adventure.
After exploding out of the gate to haul in a mighty $258 million globally – the overwhelming majority of which admittedly came from home territory China – writer and director Stanley Tong’s culture clash escapade became the highest-grossing comedy film ever released in the country until it was eventually overtaken by Never Say Die.
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