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A superior slasher splits opinion on whether it’s overlooked or a firmly established classic

When it comes to some of the internet’s more irritable nuances, there are few more reliable hotbeds than r/horror; the subreddit is rife with clickbait titles, reactionary bait, “unpopular” opinions, “hot” takes, and a general disregard for the sentiment of the community, which can be either a virtue or a vice depending on the subject.

One post recently managed to capture the best and the worst of all of the above by bringing a discussion of The Hitcher to the table. The film, widely panned by critics upon its release in 1986, including some palpably venomous words from Roger Ebert, found new life years later as a cult classic, and while it didn’t quite receive the reappraisal that John Carpenter’s The Thing did, one user has argued that it’s more than deserving of such recognition.



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Nat Sciver wins Rachael Heyhoe Flint Award for ICC Women's Cricketer of the Year 2022

The three other nominees for the award were India's left-handed opener Smriti Mandhana, who had won the award in 2021 and 2018, apart from New Zealand's leg-spin all-rounder Amelia Kerr and Australia's left-handed opener Beth Mooney.

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‘Everything Everywhere All at Once’ monetizes Oscars success by selling pet rocks

Everything Everywhere All at Once has defied expectations to become the front-runner at the 2023 Academy Awards. The mind-bending multiversal caper has already seen Golden Globe success for stars Michelle Yeoh and Ke Huy Quan and with eleven Academy Award nominations, could well sweep the board on March 13.

To mark the film’s rise to the top, A24 has released the best piece of movie merchandise we’ve seen in a while in this adorable pet rock. Adorned with googly eyes and coming in a protective box with a cute straw bed, you get a training pamphlet to best look after your new pet:



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Review: ‘Shotgun Wedding’ is a breezy and brainless time

What do you get when Jennifer Lopez, Josh Duhamel, Jennifer Coolidge and a bunch of other celebrities head off on a paid vacation and make a movie at the same time? Normally, you’d be right to say, “A late-career Adam Sandler picture,” but this time you’d get Shotgun Wedding.

Lopez’s latest dip into rom-com waters is a dumb, but fun time. There’s a rollicking adventure, attempts at romance, and plenty of beautiful scenery for anyone looking to pass an hour and change, but not a lot of substance at the heart of it all.



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Sundance Review: ‘The Deepest Breath’ is a free diving tragedy not without motive

Plunging into the depths for this tragic tale of extreme sports gone wrong, The Deepest Breath comes to Sundance with an intention to educate and enlighten.  

Written and directed by Laura McGann, it tells the tale of Steven Keegan and Alessia Zecchini, who both shared a passion for professional free diving. With stock footage taken by fellow competitors, attendant safety teams, and event organizers this documentary puts audiences in the driving seat.  



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Sundance Review: ‘Cat Person’ tackles a contemporary talking point that demands discussion

Director Susanna Fogel (Booksmart) and writer Michelle Ashford have created a contemporary talking point in Cat Person, which is sure to promote furious debate this year at Sundance.  

Headlined by Emilia Jones (CODA) alongside Nicholas Braun, it explores the world of online dating, with specific emphasis on age gap relationships. Jones’ Margot works the concession stand at her local cinema, which specializes in nostalgic double-bills, and film seasons shaped around certain film stars. Each evening she confers with friends over text message, rating male patrons according to certain criteria.  



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An off-kilter thriller torn to shreds by critics makes a convoluted comeback as a Netflix sensation

Even if the company relies heavily on the word of the mighty algorithm, there’s no formula for guaranteed success on Netflix, with forgotten 2020 thriller Inheritance the latest unlikely feature to come along and blow a hole in the streaming service’s viewership charts.

Per FlixPatrol, the widely-panned and incredibly convoluted psychological nightmare that could only garner respective Rotten Tomatoes scores of 23 and 31 percent from critics and audiences has conspired to become the number five most-watched feature on the platform’s worldwide rankings, having gatecrashed the Top 10 in 21 countries.



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