IND vs AUS | 'Don't Think He's Even Faced Fast-bowling Yet': Steve Smith on Cameron Green Availability For Nagpur Test

Steve Smith also talked about the spin challenge against India and the pitch for the opening Test in Border-Gavaskar Trophy.

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India vs Australia 2023: How Border-Gavaskar Trophy Results Can Shape Final of World Test Championship

India and Australia both are the frontrunners to qualify for the WTC final which adds more fire to the upcoming Border-Gavaskar trophy

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Michael Douglas opens up on his return to the MCU in ‘Ant-Man and the Wasp: Quantumania’

The wait between Marvel movies is a supremely interesting period; the anticipation of seeing the next step in the storyline can make just three months seem like a small eternity, and before you know it, you’re a week and a half away from one of the most pivotal films in the current arc, as is currently the case with Ant-Man and the Wasp: Quantumania.

With Quantumania comes the entire Ant-Man family, including Scott Lang, Hope van Dyne, a now-grown Cassie Lang, and resident superhero grandparents Hank Pym and Janet van Dyne, who will be making their first marked return to the franchise since 2018’s Ant-Man and the Wasp, barring the small cameos the pair had in Avengers: Endgame.

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'Has Anyone Seen it?': Virat Kohli Loses His Unboxed Phone, Asks Fans on Twitter to Help Him Find it

Virat Kohll posted an interesting tweet about his lost phone on Tuesday which led to a flurry of comments on the social media platform

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Calling a 1990s action favorite better than its all-time classic successor threatens to start a riot

John Woo was already one of the greatest action directors in the business before he’d even set foot in Hollywood thanks to a slew of all-time greats including A Better Tomorrow, The Killer, and Hard Boiled, but he arguably didn’t find his footing in Stateside cinema until he tackled Broken Arrow.

Don’t get us wrong, Jean-Claude Van Damme vehicle Hard Target endures as an undisputed cult favorite for a reason, but it wasn’t until his second overseas feature that the filmmaker was given a budget fitting of his reputation to play with. The $50 million blockbuster painted Woo’s signature style on a bigger canvas than ever before, but it was successor Face/Off that took things to a whole different level.

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