In the vast darkness of the Mojave desert, four friends are camped out, preparing to make a music video together. As they sit in their tents and try to get rest, thunderous booms and mysterious ripples of light in the sky disrupt them. Soon enough, they will be gone, consumed by something unknowable and awful in the dark, and their footage will be all that’s left of them.
Such is the premise for Robbie Banfitch’s The Outwaters, a wild descent into hell (or another dimension, perhaps?) that promises to disorient and disquiet the viewer. The film isn’t afraid to march forward hand-in-hand with us into the darkness, no matter how much blood, tears, and screeching there is along the way.
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