Movie titles aren’t always supposed to be taken literally, but when the moniker of a particular film also happens to serve as the basis for the entire plot, then maybe an ironclad degree of accuracy would have been expected.
Two-time Academy Award nominee Bruce Beresford’s crime thriller Double Jeopardy was never intended to be a hard-hitting drama designed to appeal to critics, which is just as well when it wound up with an unremarkable Rotten Tomatoes score of just 27%, but the box office hit was lambasted for failing to understand its own terminology.
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