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An overlooked sci-fi body horror that tanked grotesquely at the box office demands to be revisited

Such is the strength of the David Cronenberg brand, the filmmaker maintained his reputation as cinema’s master of body horror despite taking an absence from nightmarish transformations that spanned 23 full years between 1999’s Existenz and the recently-released Crimes of the Future.

Of course, he was kept plenty busy in the meantime exploring other creative avenues, but Existenz‘s disastrous box office performance may have soured him from returning to the well he built his reputation on, after the $15 million psychological nightmare only managed to cobble together a shade under $3 million at the global box office.



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