Remaking a classic has often proven to be a fool’s errand, so it’s easy to understand why questions were being asked as to why a remake of a classic that was itself already a remake of a classic needed to exist. Truth be told, Antoine Fuqua’s The Magnificent Seven isn’t bad at all, but it was never going to come close to matching either of its illustrious predecessors.
John Sturges’ 1960 Western is rightfully held up as one of the finest entries in the history of the genre, while Akira Kurosawa’s 1954 landmark Seven Samurai has an even more impressive standing in the cinema – with the sprawling epic serving as both one of the greatest and most influential films the medium has ever seen.
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