Review: ‘Don’t Worry Darling’ goes down smooth, for better or worse

It’s a bit too on the nose that so many elements about Don’t Worry Darling feel so right, you don’t want to fret over what’s wrong. Olivia Wilde’s sophomore directorial effort is a little murky on the message, but an entertaining ride bolstered by Florence Pugh’s mesmerizing performance and a strong supporting cast.

There is perhaps no more obvious choice than a 1950s setting if you’re going to make a movie about housewives who realize things are not quite what they seem. But visually, it’s an absolute treat, with cinematographer Matthew Libatique (Black Swan, A Star is Born) taking in the so-called “desert oasis” for all it’s got, from sweeping aerial car chases to toast crumbs on the counter.

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