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Tribeca Review: ‘Roving Woman’ is a road movie with real heart

Roving Woman, a Tribeca selection which hinges on an eclectic performance from actor, co-writer and casting director Lena Gora, is an oddly absorbing experience. Directed by Michael Chmielewski, with some powerful contributions from cinematographer Lukasz Dziedzic, it opens on Gora’s Sara moments after she is kicked out of an apartment.

Even in those opening minutes, as a lingering shot of Los Angeles at night establishes location, Roving Woman possesses a combination of enigmatic bohemian chic and dumpster fire cool. A place where couples can get into late night arguments, break up minutes later, and then reconcile just before dawn. Sara is key in filling out that ambience, as she kicks and pounds at an apartment door, watched only by a single static camera.



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