I saw a whole bunch of movies over holidays, and the one I was by far the most excited for was Vice. I had, no joke, probably watched the trailer for it a dozen times, which is something I never do. (After watching through two dozen trailers for this column every week, I’m hardly going to watch any trailer more than I have to).
Vice was immensely entertaining and very funny. The thing that really stood out to me was just how comfortable director Adam McKay is in toying around with the medium. Much like the explanatory interruptions in The Big Short, the edit of Vice is constantly used to address the viewer directly, explaining things to them, making jokes or excuses, even transporting them into essentially a different timeline.
It’s the...
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