When it arrived in theaters last year, writer-director Rian Johnson’s Star Wars: The Last Jedi was greeted with an immediate backlash from a specific corner of its audience. As Vox’s Todd VanDerWerff pointed out in December, the criticism seemed to come from a few different angles: some felt the film was too progressive, that it was too jokey, that it was not interested in the elaborate universe of fan theories that has accreted since the original trilogy’s release, or that the characters’ journeys weren’t exactly to their liking.
None of these lines of attack are new or really surprising, especially for a beloved, 40-year-old series that many feel has defined their experience with science fiction and fan culture in general. What’s new...
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