Let us be the first to say that we endorse the act of indulging in the art of the fan theory; imagination makes the world go round, and especially when it comes to some of history’s most beloved blockbuster sagas – itself a cultural apex of imagination – we would go as far as to say it’s a natural response.
But the imagination can go anywhere, and that includes some particularly dark corners, ones that can be accessed even when faced with Robert Zemeckis’ flagship sci-fi franchise Back to the Future, which, even with some of its rocky subject matter, is chiefly known as a barrel of fun across many generations.
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