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‘Back to the Future’ theory paints the whimsical trilogy in an altogether darker light

Let us be the first to say that we endorse the act of indulging in the art of the fan theory; imagination makes the world go round, and especially when it comes to some of history’s most beloved blockbuster sagas – itself a cultural apex of imagination – we would go as far as to say it’s a natural response.

But the imagination can go anywhere, and that includes some particularly dark corners, ones that can be accessed even when faced with Robert Zemeckis’ flagship sci-fi franchise Back to the Future, which, even with some of its rocky subject matter, is chiefly known as a barrel of fun across many generations.



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