James Mangold has never been a filmmaker to pigeonhole himself in one particular genre, even if he’s stayed almost exclusively in blockbuster territory for more than a decade, with Tom Cruise’s Knight and Day, The Wolverine, Logan, and Indiana Jones 5 accounting for four of his five most recent features.
Speaking of Hugh Jackman’s swansong, turning the iconic mutant’s cinematic exit into a modernized neo-Western was a masterstroke, and the quality of the X-Men spinoff was definitely helped by the fact Mangold already had Cop Land and 3:10 to Yuma under his belt, both of which possess many stylistic and thematic similarities to Logan.
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