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WeWork’s fall is so wild that it’s getting a second TV series, this one for Apple

Illustration by Alex Castro / The Verge

WeWork was 2019’s soap opera of a company, and its story was so wild that it will be the focus of a second TV series, Variety reports.

The second series will be developed by Apple and the showrunner of Apple TV Plus series Little America, according to Variety. (Disclosure: Little America is adapted from a series by Epic Magazine, which is owned by Vox Media, The Verge’s parent company.) The series will be based on David Brown’s WeCrashed podcast from the podcast network Wondery.

Variety’s report doesn’t indicate when the series might be released. But if or when it does, WeWork’s story should make for good TV.

Last summer, WeWork was gearing up for massive initial public offering. Shortly after its...

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Star Wars Composer Says Disney’s Made No Wrong Moves With The Franchise

Star Wars fans are tough to please, and no matter what Disney does, it doesn’t seem like it’s possible to satisfy them all. But according to Clone Wars composer Kevin Kiner, the House of Mouse has yet to make a bad call when it comes to the films and television programs set in a galaxy far, far away.

Ever since the first trilogy changed the way audiences looked at movies, the franchise has had a difficult time having the same game-changing results. The prequels didn’t go over very well and the new films under Disney haven’t had much better luck. Star Wars: The Last Jedi is considered by many to be a huge swing and a miss and The Rise of Skywalker had some people questioning if they ever really were fans at all. Given all this negative backlash, it’s understandable how many could question the decisions made by the higher-ups at Lucasfilm since the Disney purchase.

But not everyone feels this way about how Star Wars has been handled. Kevin Kiner’s been scoring The Clone Wars since 2008 and he believes that Disney hasn’t made a wrong move when it comes to the movies and TV shows. In a recent interview with ScreenRant, he explained why he believes the force is still strong with Lucasfilm, saying:

“…I sort of just always kind of put my head down and composed for what’s in front of me, and so in terms of moving forward with the next whatever that might be in Star Wars, I just love doing it. I don’t think guys like Dave Filoni and Kathleen Kennedy and people who are running the ship, they haven’t made a wrong call as far as I can see, so I’m happy to do whatever comes next and all I can say is I hope I get to compose for Star Wars as long as John Williams has, so in my 80s and still cranking I’ll be really happy about that.”

Kiner seems very content with how things are going, and that’s fair enough. After all, the show which he works on is one of the more well-received Star Wars properties and just recently kicked off its hugely anticipated seventh season after a very long hiatus.

However, for those that don’t agree with the talented composer’s claims, the franchise is about to go in a brand new direction with The High Republic, which will feature new Jedis, villains and possibly even dinosaurs. So, for those that felt the previous strategy wasn’t working, this new narrative could be just what the doctor ordered in getting Star Wars fans to quit joining the dark side and embrace the light.



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WeWork’s fall is so wild that it’s getting a second TV series, this one for Apple

Illustration by Alex Castro / The Verge

WeWork was 2019’s soap opera of a company, and its story was so wild that it will be the focus of a second TV series, Variety reports.

The second series will be developed by Apple and the showrunner of Apple TV Plus series Little America, according to Variety. (Disclosure: Little America is adapted from a series by Epic Magazine, which is owned by Vox Media, The Verge’s parent company.) The series will be based on David Brown’s WeCrashed podcast from the podcast network Wondery.

Variety’s report doesn’t indicate when the series might be released. But if or when it does, WeWork’s story should make for good TV.

Last summer, WeWork was gearing up for massive initial public offering. Shortly after its...

Continue reading…



from The Verge - All Posts https://ift.tt/2wVeNWX

Baby Yoda Could Be A New Hope For The Star Wars Franchise

Less than three months ago, The Rise of Skywalker officially ended the main saga of Star Wars movies and already, fans are eager to know what’s next for the world of a galaxy far, far away.

Well, considering that Rian Johnson’s independent trilogy is currently in an ambiguous production halt and D.B. Weiss and David Benioff’s movies have been canned, there isn’t much to work with to figure out Disney’s plan for the future of the franchise. Recently, though, Lucasfilm announced Project Luminous as a publishing line of books and comics titled Star Wars: The High Republic, based on a new narrative which takes place 200 years before the events of Episode I – The Phantom Menace and depicts the Jedi Order at the height of their power.

But let’s not forget; while it’s true that Star Wars is a multimedia franchise, the story started as a movie saga and the cinematic features still remain the most visited of all products. So, how can Disney redeem their mistakes with the Sequel Trilogy and produce a better follow up?

Perhaps the answer to that question lies in plain sight. Ever since his first appearance in the pilot of The Mandalorian, Baby Yoda stole both our hearts and the show, to the point of even overshadowing Mando himself. So, expanding on that story could, in a way, ensure that the next project receives enough buzz or at the very least, achieve the same commercial success as the last three entries.

Granted, the character still has a long way to go in the future seasons of The Mandalorian, but that could even add to his already-universal popularity. Since the studio has previously developed plans for an independent movie focused on the character of Yoda, making one with his cuter and alternative version doesn’t seem so far fetched.

Tell us, though, would you like to see a Star Wars project starring Baby Yoda on the big screen? And if so, do you think that it’d be as successful as the rest of the movies? Sound off in the usual place below!



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